Hello again, world!

So, I like the #MSWL hashtag. Most of the readers who find their way here probably know what it is already, but for the uninitiated, it stands for ManuScript WishList, and many agents and editors flex their creative muscles and dream up concepts for novels they wish they were working on. They range from the broadly general:

to the hyperspecific:

There’s even a website. (I’m verified, but as of this writing, haven’t put up a profile yet. Soon—I swear!)

This post, then, serves as an index of the things I’d like to see. It’s curated, and current, and the curious can bookmark it.

Maybe you can use it as a writing prompt, maybe it’s something you decide you want to share with your workshop/writer’s group. The #MSWL is definitely not the be all and end all of what I’m looking for, but it’s a different take, and I think it’ll be a useful one. Enjoy!

And if you feel like there’s something sorely missing in your reading life, then feel free to #MSWL it up on Twitter, or comment, or, you know, write the book . . .

I feel like everyone knows this about me, but I long for a great non-Western fantasy novel, for MG, for YA, or adult! #MSWL

I still have yet to get that YA novel about a girl group in Motown. . .

It was a queer, sultry summer

… when I finally updated the site.

Being inside on the hottest day of the year, when publishers are certainly observing the summer Friday, has led to my finally doing a few updates.  The new header is one; I’ve also deleted the annoying category cloud, and provided links to client blogs.

And now for the piece of news with the most interest and of the most relevance to 99.9% of this blog’s readers; I have opened to e-mail queries at JABberwocky.

My e-mail address for query letters is queryeddie [at] awfulagent [dot] com.  Any unsolicited e-mail query sent to any other address will be deleted, unread.  Likewise, don’t send any attachments; any synopsis must be included below the cover letter in the body of your e-mail.

Now, why the change?  Two reasons.

The first is that, although I’m expecting we’ll get hit with a wave of material worse than what we’d see in print, we’re also finding that many people e-mail first, and send letters once they’ve finished e-mailing. If a query is good, we’re put at a competitive disadvantage, because other people get more time to read. The second is that we get fewer queries from authors who live outside the US.  This cuts us off from a good portion of the UK, South African and ANZ markets (we’ve always had many letters from Canada, though), among many others, and making it necessary for people to hunt down IRCs seemed foolish to me, after I thought about it.

So, enjoy! Let your writer friends know I’m now open to e-mail queries.

Narrative development

So, since there’s a light trickle of literary people to my blog, I’m going to type up what are the beginnings of some thinking I’ve been doing about narrative theory (using this term a bit loosely). And I’d like to know what you think.

In the thousands and thousands of pieces of writing I’ve read over the last couple years, a pattern has started to emerge, and while I haven’t approached these in anything resembling a scientific manner, I do think, based on the improperly gathered evidence, that there is a hierarchy of needs related to narratives, and that the more of these needs are met, the more successful a narrative will be.

For simplicity’s sake, I’ve tentatively called it the CASE Hierarchy. You’ll see why after the jump.
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