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	<title>Comments on: Narrative development</title>
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	<link>http://eddieschneider.com/2008/11/22/narrative-development/</link>
	<description>Literary agent, ultrarunner, sporadic blogger</description>
	<lastBuildDate>Wed, 01 Dec 2010 04:01:24 +0000</lastBuildDate>
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		<title>By: Noah</title>
		<link>http://eddieschneider.com/2008/11/22/narrative-development/#comment-107</link>
		<dc:creator><![CDATA[Noah]]></dc:creator>
		<pubDate>Fri, 16 Jul 2010 09:00:38 +0000</pubDate>
		<guid isPermaLink="false">http://eddieschneider.wordpress.com/?p=56#comment-107</guid>
		<description><![CDATA[This is a really interesting post (I realize it&#039;s old, but I only just found it). My one problem with it is that it seems to me that you could have all of the above-mentioned qualities, and still no masterpiece. At the risk of joining you in the ivory tower, perhaps you need to not only have all four CASE qualities, but also have at least one of these qualities be truly superlative. To use an example from your favorite-author list, Kurt Vonnegut&#039;s BREAKFAST OF CHAMPIONS certainly has a plot and central conflict (Storytelling), but its main strength is what you would call Articulation. I prefer it to CAT&#039;S CRADLE, which again has all four elements, but is stronger on both Creativity and Engagement. (BOC *feels* plenty creative, but when you think about it, how creative is a science-fiction author writing about another science-fiction author?) So I&#039;m just not convinced that the CASE Hierarchy is in fact a hierarchy. 

All that having been said, I like your theory of narrative, and it does reflect my experience in terms of writing. When I first started writing my novel (the first three chapters of which may already be sitting on your desk!) I did not expect it to have any significant amount of Engagement. I started writing it in college, and my professors kept telling me that they wanted to see something that dealt with Big Issues--a novel that was more Jewish, or more philosophical, or, it seemed to me, less commercial. I was very resistant to the idea, because I thought they were asking for a polemic and I just wanted to write fantasy. But the more I wrote, the more my novel started to engage with the real world, from religion to love--accidentally! That was a major part of my growth as a writer: becoming engaged (with or without a capital E).

Okay, enough late-night/early-morning commentary on two-year-old blog posts. Good morning, and don&#039;t forget to read my MS!]]></description>
		<content:encoded><![CDATA[<p>This is a really interesting post (I realize it&#8217;s old, but I only just found it). My one problem with it is that it seems to me that you could have all of the above-mentioned qualities, and still no masterpiece. At the risk of joining you in the ivory tower, perhaps you need to not only have all four CASE qualities, but also have at least one of these qualities be truly superlative. To use an example from your favorite-author list, Kurt Vonnegut&#8217;s BREAKFAST OF CHAMPIONS certainly has a plot and central conflict (Storytelling), but its main strength is what you would call Articulation. I prefer it to CAT&#8217;S CRADLE, which again has all four elements, but is stronger on both Creativity and Engagement. (BOC *feels* plenty creative, but when you think about it, how creative is a science-fiction author writing about another science-fiction author?) So I&#8217;m just not convinced that the CASE Hierarchy is in fact a hierarchy. </p>
<p>All that having been said, I like your theory of narrative, and it does reflect my experience in terms of writing. When I first started writing my novel (the first three chapters of which may already be sitting on your desk!) I did not expect it to have any significant amount of Engagement. I started writing it in college, and my professors kept telling me that they wanted to see something that dealt with Big Issues&#8211;a novel that was more Jewish, or more philosophical, or, it seemed to me, less commercial. I was very resistant to the idea, because I thought they were asking for a polemic and I just wanted to write fantasy. But the more I wrote, the more my novel started to engage with the real world, from religion to love&#8211;accidentally! That was a major part of my growth as a writer: becoming engaged (with or without a capital E).</p>
<p>Okay, enough late-night/early-morning commentary on two-year-old blog posts. Good morning, and don&#8217;t forget to read my MS!</p>
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	<item>
		<title>By: Chloe</title>
		<link>http://eddieschneider.com/2008/11/22/narrative-development/#comment-16</link>
		<dc:creator><![CDATA[Chloe]]></dc:creator>
		<pubDate>Fri, 05 Dec 2008 09:03:40 +0000</pubDate>
		<guid isPermaLink="false">http://eddieschneider.wordpress.com/?p=56#comment-16</guid>
		<description><![CDATA[Also, I really like your layout.  It&#039;s neat.]]></description>
		<content:encoded><![CDATA[<p>Also, I really like your layout.  It&#8217;s neat.</p>
]]></content:encoded>
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	<item>
		<title>By: Chloe</title>
		<link>http://eddieschneider.com/2008/11/22/narrative-development/#comment-15</link>
		<dc:creator><![CDATA[Chloe]]></dc:creator>
		<pubDate>Fri, 05 Dec 2008 09:03:07 +0000</pubDate>
		<guid isPermaLink="false">http://eddieschneider.wordpress.com/?p=56#comment-15</guid>
		<description><![CDATA[You need to update this more often.  That&#039;s my thought.  Also, I wish I had a phone on which I could write things on.  No fair!  I&#039;m jealous!]]></description>
		<content:encoded><![CDATA[<p>You need to update this more often.  That&#8217;s my thought.  Also, I wish I had a phone on which I could write things on.  No fair!  I&#8217;m jealous!</p>
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